It’s out this Monday () on Tongue Flap Records. Rockso’s tracks started leaking out late 2010 and finally he is about to release his debut EP “Soundboy Shank” featuring the epic “What Ever I want” tune. Rockso is the moniker for a Dubstep artist that’s already well known in the scene, yet it’s a well-kept secret who that is. Rockso, he’s the Rock ‘n Roll clown and he does cocaine and unfortunately that’s all we know….And I’m afraid, it’s going to stay that way. Most people I talk to share the same view point.“The Dubstep Mix Show on YouTube present a creepy clown this month. Save your money and invest in a decent computer and some monitors.
Buy a subscription to future music, sound on sound, or computer music or all three or whatever. I'm sure there are some more electronic music specific courses out there, but honestly dude, just hit up youtube and the internet forums. Obviously you can argue that that knowledge was valuable to me, and yes it was, but you can learn more about producing electronic music in 2 weeks of watching youtube tutorials and reading the forums, than you can in a year of audio engineering school. What I mean is that I wanted to learn more about producing electronic music, and I ended up learning a lot about engineering and recording and amplifiers and the science behind sound and all this other bullshit that didn't really make me a better producer. Thanks dog! I went to school but honestly it was kind of a waste of money.
#Downlink crippled camel how to
I've started trying to learn how to produce this year and It's a lot of fun and I'm making progress leaning how to use Reason but would you recommend someone go to a school to learn how to produce or is just learning yourself via the internet and experimentation an adequate way to go about it? Did you go to school or did you teach yourself?
JTreeZY wrote:What's up Downlink, love your music. The sugarbytes effectrix "tone delay" function is pretty standard robo stuff. ringshifting, tight reverbs and tight delays, formant modulation, distortion, phasing. No process to making things robotic sounding. It can destroy your sound pretty fast but it also allows you to send it to the bus and not worry too much about overloading the limiter there. camelphat limits the sound a lot so you gotta watch your level going into it. Is there a particular process that you use to start making the bass more metallic and robotic?įirst would be EQ, then Overdrive, then guitar amp, then eq, then maybe ohmicide, then usually more eq and then i get into flange/chorus/phase/ringshift/bitcrush kinda stuff, then usually end it all off with a bit more eq and then a Camelphat with some subtle distortion tube or mech.
#Downlink crippled camel Patch
If you are cool about sharing this- when designing a new mid bass sound, what chains of plugins would you place after the core FM8 patch for example? I know it would depend on the sound, but it would be very cool to see what choices you make to change the sound, and the order that you place them in. Noisestorm wrote:Thanks for doing this man!
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